Mildlife use elements of spacey jazz, funk, psych and disco to produce groovy sunkissed sounds. Hard to define but easy to listen to, the album constantly expands and refines itself with each track. Space jazz, funk, disco. The songs work well together. The band cite a wide range of influences on their music, from Herbie Hancock to Can, and it shows.
The six track debut album kicks off with the wonderful masterpiece that is ‘The Magnificent Moon’.
Bassist Tom Shanahan comments: “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.”
Mildlife take the musical canvas, rip the lids off the paint tins, and throw vibrant splashes of colour into kaleidoscopic jams. Old friends, the Australian four-piece bonded over the desire to push musical boundaries, developing tight live shows bolstered by wild improvisation and a debut record that mines jazz, psych and disco for its irresistible groove. A melting pot of musical sensations, Mildlife combine progressive 70s sounds with electronic krautrock, backed by a mixture of rhythmic funk, house, and dream-pop, to create an addictive atmosphere that’s illustrated perfectly by their first single ‘The Magnificent Moon’, out November 3rd via Research Records. The single comes as an introduction to their highly anticipated debut LP ‘Phase’ due out early next year.
Taking cues from artistic pioneers such as Can and Herbie Hancock, creating a Mildlife song is a constant process of teasing and tugging, expanding and refining. But Mildlife are adamantly not a studio band. Between 2014 and 2015 they took a year off playing shows to figure out how they could produce as much of their music live as they possibly could without losing its complexity. “It makes the performance, the composition, more malleable,” says guitarist and multi-instrumentalist Adam Halliwell.
Bassist Tom Shanahan adds “It feels more authentic. The energy can be in the song rather than sitting on top of it. We wanted to leave a lot of room for improvisation.”
Phase is an exceptional debut album from Melbourne-based Mildlife.