The Orb – History Of The Future: the Island Years

The Orb - History Of The Future: the Island Years
The Orb - History Of The Future: the Island Years

The Orb are currently amidst a 25 year anniversary UK Tour promoting their current retrospective 4 CD box set, History Of The Future – The Island Years.

It seems almost incomprehensible that it’s now 25 years since Alex Paterson took his first giant steps under the banner of The Orb. Caught in the escalating rush of acid house and armed with dream-realising new technology, Alex, and whoever else was on his flight path at the time, started pumping their inherent sense of mischief into panoramic soundscapes with heavyweight beats, taking the live electronic experience to new levels.

A quarter century later, the world is a much different place after technology progressed further, changing the way music was created and heard as the next century got under way. By then, The Orb had already charted a fearlessly wayward course, while unleashing one of the most uncompromisingly innovative bodies of work of the last century, no sound too extreme or source too cheeky.

This is why we’re gathered here today – to mark The Orb’s Silver Jubilee with a collection of landmarks from their first two decades, plus a bunch of extra treats. When Alex took those first, tentative steps 25 years ago he was in the throes of the second revolution to erupt in his life after punk‘s big bang. Acid house opened up a new form of anarchy, using machines before they were changed to protect the innocent. There was always attitude in the Orb’s ambience, as Alex declared more than once, “we’ve got the same attitude as punk rock.”

After Alex and first Orb partner Jimmy Cauty’s initial dalliances in Cornwall, the first major statement under The Orb name was 1989’s A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Universe, among early releases on Alex and Youth’s W.A.U. Mr Modo label.

httpv://www.youtube.com/watch?v=qexS5hBB1C0

Tellingly, this set starts with a high definition declaration of dance floor domination with the thunderous Orbital Dance Mix of the track which appeared on July, 1990’s A Huge Ever Growing Remix EP.

This key track in Orb lore appears here in three different incarnations, also including 1991’s Aubrey Mix Mk II ambient version from 1991’s Aubrey Mixes: The Ultra World Excursions, with crashing waves and clucking chickens lashing the pivotal melody.  The live version shows how the track could also be cranked into the ultimate, all-going-off set closer. When it provided their 20 minute Peel session in December, 1989, it became the most requested in the show’s history.

The follow-up, Little Fluffy Clouds, (which started life in Alex’s bedroom at the infamous Coach House he was then sharing with Youth), was created at that magical time when sampling technology offered new oceans of possibilities (which turned into a Pandora‘s Box of litigation as claims rained in after these first innocent flurries of exploration).

httpv://www.youtube.com/watch?v=FHixChYgGRI

1990’s Little Fluffy Clouds kicked off with English country narrative from Face The Facts presenter John Waite before the famous Rickie Lee Jones promo interview snippet which came with her Flying Cowboys album. Demonstrating the unlikely sources which separated the genuinely creative from mindless plagiarism, the beats hail from a Harry Nilsson track, introduced by Ennio Morricone harmonica. Coldcut, who’d been developing their own strain of underground sonic science, are here with their aptly-titled Heavyweight Dub Mix.

Next single from 1991’s Adventures Beyond The Ultra World was psychedelic reggae outing Perpetual Dawn, here heard in its Solar Youth version and the first of Andrew Weatherall’s cataclysmic pair of Ultrabass remixes, underpinned by Jah Wobble‘s chest-rattling bass.

Blue Room itself is a stratospheric epic with long-time mucker Steve Hillage‘s ether-surfing guitar, Miquette Giraudy‘s ghostly synths plus sirens, NASA astronauts and disemboided vocal, again underpinned by Jah Wobble’s inimitable Earth’s core-shaking basslines.

Clocking in at a second below the 40 minute limit imposed by chart compilers Gallop, Blue Room was released as a twelve-inch single on June 8, reaching number eight as the  longest single to make the charts. It’s here in three versions – the single edit, live and Excerpt 605 on the rarities disc.

U.F. Orb was unveiled to the media at London’s Planetarium. It came as a shocked but air-punching triumph when the album invaded the charts at number one. It continues its mighty presence on this collection with Majestic and Close Encounters appearing in disc two’s remixes.

Close Encounters showed how The Orb could deliver floor-destroying techno, working with Glasgow titans Stuart MacMillan and Orde Meikle, aka Slam, who‘d recently started their Soma label while running the raging inferno of their Slam club. If the original version was dominated by the astonishingly crowd-levitating groove, disc two’s ambient version brings out myriad other subtleties.

Disc three captures the sonic splendour of the live Orb show around this time, drawn from Trekkoner, Copenhagen and Woodstock 2 in 1993-94, hotwiring singles and album highlights with the spontaneous combustion of the duo‘s live mixing, which meant every gig was different. They were also playing a song called Assassin – 1992’s next single. Originally a fluid slab of astral funk draped in radioactive sonic worms, it became a prime example of an Orb piece spreading its wings live in various directions, appearing here as single edit and in two different live incarnations.

1993 saw angry grey streaks appearing in the little fluffy clouds, manifesting as the dark side of The Orb in mid-1994’s abrasive Pomme Fritz (The Orb’s Little Album), fired by rekindled punk spirit with anger often the energy.

Released in July 1994, Pomme Fritz sparked hostility everywhere from record company to press, although it still made number six in the UK charts (though not this set!).

With slate wiped clean, The Orb could move on and make their under-rated masterpiece Orbus Terrarum. This  double-album epic of astonishing complexity, breadth and depth continued Alex’s exploring of a, “collage of noises that had never been heard before in that sort of music”, venturing into avant garde, musique concrete and classical realms, shot with the wildest dub.

With bassist Simon Phillips and percussionist Nick Burton also still around, The Orb set off on the album’s orchestral dub voyages, including the supremely evocative Oxbow Lakes, here in its album version.

Alex could now reflect on “two years of pretty hard labour” which had seen everything change, including record company, management and musical collaborators. There was still pressure to set their controls for the heart of the charts as Orbus Terrarum had just scraped the top 20 while there hadn’t been a huge single, so it came as another surprise when Toxygene reached number four in the singles chart in February, 1997; The Orb’s highest placed single yet. As a result, mothership album Orblivion sold well too.

The hit came with a beautiful slice of Orb-lore. During the ‘90s, The Orb trotted out remixes for a galaxy of artists, from Primal Scream to Robbie Williams, even a U2 knock-back, as Alex stuck to his motto, “you get an Orb track with bits of song on it.” Jean Michel Jarre’s 1977 hit Oxygene was a hugely-influential electronic landmark. To celebrate its 20 year anniversary, the French composer had created a sequel called Oxygene 7-13, The Orb were called to remix Oxygene 8. The composer was not too pleased remarking, “It’s not that I didn’t like it, but I wanted the first wave of remixes to be linked with Oxygene’s theme and textures.’ Alex simply took his remix, retitled it ‘Toxygene’ [after being out-voted on ‘Toxic Genes’] and released it as first single from the album it had just found a home in, a hit in its own right. The single was released in a pink box containing two CDs with mixes inclusing Ganja Kru’s drum ’n’ bass workout (included here).

Orblivion featured a more streamlined Orb with Alex, Thomas and Andy, plus Steve Hillage, Miquette Girady and tour DJ Lewis Keogh. The object of the exercise this time seems to be how much fun they can have bending melodies and beats into new dimensions. After the ambient exploits of the previous two albums, the vibe around Orblivion was that The Orb were back in a funky mood, without trying to lead or start new trends because they’d already done that.

Next single was Asylum, a pulsing electro beast co-written with tour DJ Lewis Keogh, riding a gently squelching riff draped in lazy steel guitar and Detroit techno melody. The track is here in its album version.

After the unfettered creativity of the Orblivion phase and top five success of the single, darker clouds were again gathering again towards the end of the century. Although recorded through 1999, the delightfully multi-hued Cydonia got caught up in internal record label reshufflings, meaning it wasn’t released until 2000. Named after the area of Mars where the Viking space craft photographed a Sphinx-like face, Cydonia remains one of the most diverse and overlooked items in the Orb arsenal.

The core team of Alex, Andy Hughes, Thomas Fehlmann, Simon Phillips and Nick Burton was joined by Fil de Gonidec [another old Killing Joke mucker], Sabrettes’ Nina Walsh and Freaky Realistic singer Aki Omori, who unleashed her sepulchral vocals on a traditional Vietnamese melody for first single, Once More.

Meanwhile, Nina co-wrote and sang some of Alex‘s old lyrics on second single Ghostdancing, whose lustrous, hallucino-sheened future pop inevitably incurred flak for daring to venture near traditional song forms. This was  easily dismissed by Alex: “This may be but they were ORB pop songs,“ while adding that, “Ghostdancing is probably one of the best Orb tunes we’ve ever done.” Disc two features the spectral textures of Mark Pritchard’s sumptuously deep remix.

There we have it: all aspects of the Orb in one boxset: the singles which took them to mass success, remixes which kept the underground happy, the kind of live show which blazed a trail for others to take dance music to the stadiums, plus some of the amazing videos which accompanied most of the singles assembled here.

The Orb – History Of The Future: The Island Years

Disc One – The Singles Collection

Disc One – The Singles Collection
01: A Huge Ever Growing Pulsating Brain That Rules From The Centre of the Ultraworld: Loving You – Orbital Dance mix (Alex Paterson and Jimmy Cauty)
02: Little Fluffy Clouds Single version
03: Perpetual Dawn, Solar Youth mix
04: Blue Room, 7” version
05: Assassin, 7” version (Alex Paterson, Kris Weston and & DJ Lewis)
06: Oxbow Lakes, Album version
07: Asylum, Album version
08: Toxygene, Album version
09: Once More, Album version
10: Ghost Dancing, Album version

Disc Two – Remixes and Rarities
01: A Huge Ever Growing Pulsating Brain That Rules From The Centre of the Ultraworld: Loving You Aubrey Mix Mk II (Alex Paterson and Jimmy Cauty )
02: Little Fluffy Clouds, Coldcut Heavyweight Dub mix
03: Perpetual Dawn, Andrew Weatherall Ultrabass 1 mix
04: Blue Room, Excerpt 605
05: Majestic, Heavy Mix (The Orb and Youth)
06: Close Encounters, Smile, You’re On Camera mix (The Orb and Slam)
07: Assassin, Another Live mix
08: Toxygene, Ganja Kru mix
09: Once More, Mark Pritchard mix

Disc Three – Live In Copenhagen & Woodstock
01: Towers of Dub, Live @ Trekkoner Sunset Gig, Copenhagen ‘93
02: Little Fluffy Clouds, Live @ Trekkoner Sunset Gig, Copenhagen ‘93
03: Blue Room, Live @ Trekkoner Sunset Gig, Copenhagen ‘93
04: Star 6 & 7 8 9, Live @ Trekkoner Sunset Gig, Copenhagen ‘93
05: Valley, Live @ Trekkoner Sunset Gig, Copenhagen ‘93
06: Assassin, Live at Woodstock 2, USA ‘94

Disc Four – DVD
01: Little Fluffy Clouds, Promotional video
02: Perpetual Dawn, Promotional video
03: Assassin, Promotional video
04: Oxbow Lakes, Promotional video
05: Pomme Fritz, Promotional video
06: Toxygene, Promotional video
07: DJ Asylum, Promotional video
08: Once More, Promotional video
09: Blue Room, Top Of The Pops ‘92
10: Toxygene, Top Of The Pops ‘97
11: Little Fluffy Clouds, Live from T In The Park
12: Perpetual Dawn, 10” TV advert

The Orb – 25 Anniversary UK Tour Dates

6th Nov Gloucester, Guildhall
8th Nov Bridport, Electric Palace
9th Nov Nottingham, Marcus Garvey Centre
10th Nov Holmfirth, Picturedrome
13th Nov Exeter, Pheonix
14th Nov Bournemouth, Old Firestation
15th Nov Hebden Bridge, Traders
16th Nov Dublin, Button Factory
17th Nov Buckley, Tivoli Venue
24th Nov Cambridge, Corn Exchange

For more information visit www.theorb.com and www.facebook.com/TheOrb.

Hiatus + Shura new single – Fortune’s Fool / River

Hiatus + Shura new single - Fortune’s Fool / River
Hiatus + Shura

Fortune’s Fool / River is the first collaboration between electronica producer Hiatus and singer-songwriter Shura, and it’s a project that started long before the pair had actually met.

httpv://www.youtube.com/watch?v=vMYvICifzCk

Their story begins in north London in 2009. Hiatus is standing speechless after having witnessed the hushed spiritualism of Shura’s looped vocals and haunting guitar lines for the first time; he fights his way to the front of the crowd, but the singer has fled the building before he gets there.

Fast-forward two years and Hiatus – real name Cyrus Shahrad – bumps into an engineer friend who happens to mention that he’s recording with a girl called Shura. Hiatus says that he’ll drop everything if the engineer will send him some vocals to work with.

The result is River, a track so pleasing to Shura – real name Aleksandra Denton – that she suggests they meet to discuss a more extensive collaboration. The pair soon find themselves holed up in a Cotswold recording studio laying down vocals, piano and guitar parts, which Hiatus takes back to London and begins assembling with the same ear for cinematic intensity that made an underground hit of his track Insurrection (feat. Linton Kwesi Johnson), voted single of the week on Steve Lamacq’s Roud Table on BBC 6 Music in March.

But while Insurrection bristled with indignation for the repression of human rights, Fortune’s Fool is a love song drawing on the sadness at the centre of even the most romantic relationships. Its chorus is a tribute to Des’ree’s Kissing You, made famous by the film adaptation of Romeo And Juliet – a play from which Hiatus and Shura’s track takes its title.

The pair have also begun playing live, from Cargo to Camden’s Proud Galleries to Croatia’s Soundwave festival, revealing an on-stage chemistry that suggests – like their recordings – that there may have been a Shakespearean dash of celestial destiny in their coming together.

“Working with Shura is an ideal partnership,” says Hiatus. “For years I’ve been collecting female vocal samples to loop over my music, while she’s been looking for someone to fill out her vocals with beats and basslines. This feels like something that was meant to happen.”

Hiatus + Shura new single – Fortune’s Fool / River is released on 10th October 2011.

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Massive Attack release first new material in three years on new EP

massive-attack

Massive Attack have announced the release of their first new material in three years, a four track EP will be available on October 5.

The lead track Splitting The Atom features Robert Del Naja, Grant Marshall and Horace Andy, while TV On The Radio frontman Tunde Adebimpe guests on Pray For Rain. The EP also has remixes of two new tracks. Psyche featuring Martina Topley-Bird is given the re-rub by Van Rivers & The Subliminal Kid who have recently remixed Bat For Lashes and The Big Pink, while the Guy Garvey fronted Bulletproof Love is stripped back to a minimalist reworking by Christoff Berg, who alongside Van Rivers & The Subliminal Kid produced the Fever Ray eponymous album.

Massive Attack will be releasing their eagerly anticipated fifth studio album in February 2010. Can’t wait to hear the new work which includes collaborations with Damon Albarn, Hope Sandoval, Martina Topley-Bird, Guy Garvey and Tunde Adebimpe.

Horace Andy returns for the album alongside founder members of Massive Attack, Robert Del Naja and Grant Marshall. Del Naja has been particularly busy during the three years since the band’s last album Collected, he has been writing and producing soundtracks for films and documentaries and has won a David Di Donatello Award for best song for his work on the film Gamorra.

This year Massive Attack won the Outstanding Contribution to British Music Award at the Ivor Novello Awards. The band will be headlining at Bestival on Friday September 11, before taking on their first full UK tour for three years, starting in London on September 17.

Massive Attack Full UK Tour Dates:

17.09.09                   LONDON BRIXTON 02 ACADEMY (SOLD OUT)

18.09.09                   LONDON BRIXTON 02 ACADEMY (SOLD OUT)

19.09.09                   LONDON BRIXTON 02 ACADEMY (SOLD OUT)

21.09.09                   SHEFFIELD 02 ACADEMY

22.09.09                  BIRMINGHAM 02 ACADEMY

23.09.09                  READING RIVERMEAD

24.09.09                  LEEDS 02 ACADEMY

26.09.09                  MANCHESTER APOLLO (SOLD OUT)

27.09.09                 MANCHESTER APOLLO

28.09.09                 GLASGOW 02 ACADEMY

30.09.09                NEWCASTLE 02 ACADEMY

02.10.09               LEICESTER DE MONTFORT HALL

03.10.09               SWINDON OASIS (SOLD OUT)

Tickets are £28.50 regional / £30 London

www.gigsandtours.com 24hr credit card hotline: 0871 2200 260

The 39Steps – Coming Clean (single review)

The 39Steps - Coming Clean
The 39Steps - Coming Clean

The 39Steps is the project of producer, musician & DJ Kato.  The debut single, Coming Clean will be released as a digital download on 16th February & proceeds the forthcoming debut album of the same name due for release in March 2009.

Coming Clean is what The 39Steps term as ‘Dark Soul’. Leeds-based Kato is creating a soundscape of jazz, trip hop and film score music, and is very reminiscent of the 1990’s Bristol trip hop sounds of Portishead, Massive Attack & Tricky.

Coming Clean is where Portishead meets John Barry.

The deep, emotive beat-heavy music of The 39steps includes the smooth jazz vocal of guest singer Laura Fowles.

The 39Steps release Coming Clean on the London/Leeds based label, Bad Sneakers Records.

For more information visit The 39Steps Myspace page or The 39Steps website.