Deer Tick New Albums Volume 1 & 2 + UK / Europe Live Dates

Deer Tick release Vol. 1 and Deer Tick Vol. 2 on Partisan RecordsNever a group to stand by conventional protocol, Deer Tick release two separate albums of original material, Deer Tick Vol. 1 and Deer Tick Vol. 2 on Partisan Records, recorded at Ardent Studios in Memphis.

The two albums complement each other yet reflect completely contrasting styles, both of which accurately represent the two distinctive musical personalities of Deer Tick — quiet and thoughtful / loud and raucous. “Sea Of Clouds” from Vol. 1 and the garage punk-infused “It’s a Whale” from Vol. 2 show these sides respectively.

Deer Tick Vol. 1 showcases the folk-driven, roots/rock style with right amount of grit, that Deer Tick is known for. Lead singer/songwriter John McCauley is a masterful introspective and observational songwriter, who documents inner struggles and external conflicts with a perfect balance of heartfelt sincerity and wry wit. The opening track Sea of Clouds encompasses all of what brought so many fans to Deer Tick in the first place, and also what kept them there. Guitarist Ian O’Neil’s “Hope is Big” and drummer Dennis Ryan’s “Me & My Man” expand on the group’s already dynamic range.

On Deer Tick Vol. 2, the band turns it up and lets it fly with an injection of punk-inspired garage rock at it’s finest. Clever lyrics, infectious hooks and captivating melodies pack Vol. 2 with bassist Christopher Ryan skillfully laying it down with authority and attitude. The propulsion of opener “Don’t Hurt”, edgy pop of “Jumpstarting” and rowdy punk of “It’s a Whale” reveal that there was an obvious Jekyll & Hyde approach to recording Vol. 1 & Vol. 2. Vol. 2 closes with boisterous “Mr. Nothing Gets Worse”, with all three singers taking a verse on a song that would have made The Replacements proud.

Deer Tick defines the term outlier. Their ever-evolving style has never been claimed by any one scene or genre. They encompass key elements of indie-rock, country, punk, pop, Americana, folk and so much more, which is what makes it difficult to nail them down. With Deer Tick Vol. 1 and Deer Tick Vol. 2, the question really is, why would anyone want to?

Deer Tick – UK / EU Live Dates

20 Jan 2018 Celtic Connections @ O2 ABC, Glasgow, UK
22 Jan 2018 Witloof Bar, Brussels, Belgium
23 Jan 2018 Paradiso Noord, Amsterdam, Netherlands
24 Jan 2018 Bi Nuu, Berlin, Germany
25 Jan 2018 Nochtspeicher, Hamburg, Germany
27 Jan 2018 Le Pop Up du Label, Paris, France
30 Jan 2018 Islington Assembly Hall, London, UK
31 Jan 2018 The Fleece, Bristol, UK
01 Feb 2018 Deaf Institute, Manchester, UK
02 Feb 2018 Community Room @ Brudenell Social Club, Leeds, UK

Tickets go on sale Friday 13 Oct at 10am from the band’s website HERE

Richard Thompson new album,  Acoustic Classics Vol. II & UK Tour

Richard ThompsonFairport Convention co-founding member and celebrated folk guitarist / songwriter Richard Thompson will release Acoustic Classics Vol. II on his own Beeswing record label, distributed via Proper, on 11th August.

Richard Thompson was recently named by Rolling Stone as one of the Top 20 Guitarists of All Time and is one of the world’s most critically acclaimed and prolific songwriters. He has received multiple awards, including Lifetime Achievement Awards at the BBC Folk Awards and the US and UK Americana Music Association Awards, as well as Mojo’s Les Paul Award and an Ivor Novello Award for song writing. Thompson was appointed OBE in the 2011 New Year Honours List. Robert Plant, REM, Elvis Costello, Bonnie Raitt and many others have recorded his songs.

Following the success of Acoustic Classics in 2014, Acoustic Classics Vol. II will feature acoustic renderings of classic songs from the Richard Thompson catalogue, some previously recorded by other singers, some previously available only in a band format. A second album Acoustic Rarities will be released later in the year featuring new recordings of some of the more obscure songs in the Thompson catalogue, some previously existing only as cover versions.

Special three-disc vinyl LP and double CD versions of both albums together will be released exclusively via Pledge Music: http://www.pledgemusic.com/projects/richardthompson

Richard Thompson Acoustic Classics II Tracklisting:

  1. She Twists The Knife Again – 2:49
  2. The Ghost Of You Walks – 4:41
  3. Genesis Hall – 3:30
  4. Jet Plane In A Rocking Chair – 2:29
  5. A Heart Needs A Home – 3:27
  6. Pharaoh – 4:26
  7. Gethsemane – 5:13 8. Devonside – 3:06
  8. Meet On The Ledge – 3:06
  9. Keep Your Distance – 3:35
  10. Bathsheba Smiles – 3:33
  11. Crazy Man Michael – 4:24
  12. Guns Are The Tongues – 6:06
  13. Why Must I Plead? – 4:09

A hugely popular live performer, Richard Thompson will tour the UK in October, including the very first concert at the newly-established London Bridge Theatre, which is now sold out and a second London show at Cadogan Hall. Thompson will play Fairport Convention’s annual Cropredy Festival, which takes place August 10-12, and this year marks the 50th anniversary of the group.

Richard Thompson UK Tour Dates
(supported by Josienne Clarke + Ben Walker)

Wed 11 October               Brighton Dome
Thu 12 October                 Guildford G-Live
Fri 13 October                    Poole Lighthouse
Sat 14 October                  Bristol Colston Hall
Sun 15 October                 Cardiff Wales Millennium Centre
Tue 17 October                 Edinburgh Usher Hall
Wed 18 October               Gateshead Sage
Thu 19 October                 Salford Lowry
Sat 21 October                  Saffron Walden Saffron Hall
Sun 22 October                 Coventry Warwick Arts Centre
Mon 23 October               London Cadogan Hall  *EXTRA DATE
Wed 25 October               Sheffield City Hall
Thu 26 October                 Leicester de Montfort Hall
Fri 27 October                    Basingstoke Anvil
Sat 28 October                  Norwich Theatre Royal
Mon 30 October               London Bridge Theatre  SOLD OUT

Bookings www.serious.org.uk/Thompson

Richard Thompson new album, Acoustic Classics Vol. II is scheduled for release on  11th August on Beeswing distributed via Proper.

Ratboys – GN is post-country, indie pop-tastic

Ratboys - GNRatboys is the vehicle for singer/guitarist Julia Steiner and guitarist Dave Sagan. The band hail from Chicago and began life in 2009. In 2011 they released the Ratboy EP, and in June 2015, they released their debut studio album, AOID.  Their new album, GN (an abbreviation of ‘goodnight’) is released on 30th June on Topshelf Records.

Ratboys’ music is charming, instantly familiar, indie folk, alt pop, post-country songs that err towards a down-to-earth, uncomplicated simplicity.  Just what is needed in these times of austerity, gloom and chaos.

Julia Steiner - Ratboys

On GN, I’m hearing echoes of Kim Deal, The Breeders, and the country-edged Sheryl Crow. Ratboys manage to effortless capture a little piece of a hazy summer daze in their understated, feel good guitar-led pop songs.

The songs on GN  “largely detail experiences of saying goodbye, finding your way home, and then figuring out what the hell to do once you’re back,” says Steiner.

The album’s lead single, “Control” sounds instantly familiar, like I loved this band for years.  I find myself humming along, foot-tapping, head-bobbing to an infectious tune.

GN offers a box of tales, laments and triumphs, which recount near-tragedies by the train tracks, crippling episodes of loneliness, remembrances of a deceased family pet with freezer burn, and on and on. The songs shift and breathe as worlds all their own, tied together by the group’s self-proclaimed ‘post-country’ sound, which combines moments of distortion and a DIY aesthetic with a devotion to simple songwriting and ties to the Americana sounds of years past.

The songs chosen to close both sides of the record – the slow-burning “Crying About the Planets’” and quizzical “Peter the Wild Boy” – unpack the respective journeys of two real people who were quite literally lost and found. “”Crying” tells the survival story of Antarctic explorer Douglas Mawson from a first-person perspective, and “Peter” reflects on the life of a feral child in Germany who was eventually adopted by the King of England,” according to Steiner.

Ratboys guitarist Dave Sagan

Certain personal stories – the tour adventures recapped in “GM,” the struggle to learn to show affection as divulged in “Molly” – find Ratboys just as eagerly exploring subject matter that comes from within, and then illustrating the highs and lows with soaring hooks and plaintive ones. Even in the moments that lie somewhere between bliss and misery, a tension persists between Steiner’s sweet vocal delivery and Sagan’s physical, almost-off-the-hinges guitar playing that lends each song a deeper sense of colour and movement.

Come December, I will confidently predict that GN will appear on every well respected ‘best albums of 2017’ list.

Ratboys –  GN  Track List:

Molly
Elvis is in the Freezer
Westside
Control
Crying About the Planets
Dangerous Visions
Wandered
GM
The Record
Peter the Wild Boy

 Ratboys new album, GN is released on 30th June via Topshelf Records on vinyl, CD, cassette and digital download.

Theatre Royal …and another slice of pure psych pop brilliance

.​.​.​and then it fell out of my head by Theatre Royal
Theatre Royal’s fourth album, …And then it fell out of my head

Theatre Royal‘s fourth album, …And then it fell out of my head is yet another slice of pure psych pop brilliance.  Strong melodies, engaging lyrical content and well structured songs.

Dipping toes into past glories and offering the occasional nod to those who have gone before them, Theatre Royal effortlessly manage to place a contemporary spin sound on the so-called ‘Medway Sound’ and in doing so, act as the perfect conduit between past and present. A truism borne out at the recent ‘Medway Weekender‘ where they offered perfect baton-clenching support to Cliffe and Medway’s finest, The Claim, at the prestigious 100 Club in London’s Oxford Street.

…And then it fell out of my head continues their love and inspiration for the river and the sea and all that goes before it. Lyrics constantly return to the river and the waves either physical or metaphorically speaking in songs like Port Bou and Standing In The Land, with what I perceive to be a strong political statement (“how can we be free, when’s there’s dying in the sea, because of you and me”).

The ‘current’ fab four must ooze confidence being able to start their fourth album with a track as powerful as Port Bou. It sets the scene, “I swim in the midnight sea, just the waves and me”. Wave after wave, the song keeps crashing forward and has me nodding  metrical, measured, throbbing, beating, pulsating, cadenced, lilting, repeated, periodic, regular, steady paced approval, as if I’m already familiar with a first play.  A good sign of a great pop song; and this one is screaming Echo & The Bunnymen in their pomp!

…And then it fell out of my head is another very strong album, which being their fourth is a testament to their fine songwriting prowess. Twelve new songs, each with their own merits.  Along with Port Bou, Tune Out is a stand out track for me. A fast and furious, adrenaline rushing, foot-tapping, lipsmacking, thirstquenching, acetasting, motivating, goodbuzzing, cooltalking, highwalking, fastliving, evergiving, coolfizzing, wonderful psych pop tune from the evergreen Theatre Royal.

I really love the play out of this song, and only wish it continued for a few minutes longer, rather than a quick change and fade.

Where The Land Meets The Sky is another favourite from the album, with what I thought was a ‘ba baba ba ba’ homage to Cliff Richard & The Shadows ‘Out In The Country’.  But turns out I was wrong and a nod in The Velvet Underground’s later sunshine pop tunes is all that is referenced here.

If you haven’t already heard and fallen in love with Theatre Royal, you need to get out more!

…And then it fell out of my head by Theatre Royal is released on Vacilando ’68 Recordings on 31st March on limited colour vinyl and is available to pre-order now.

Brutalism – the wonderful debut album from IDLES

Brutalism - debut album by IDLES
Brutalism – debut album by IDLES

Following five years and two EPs, IDLES release their excellent 13 track debut album, ‘Brutalism‘ on Balley Records.

With a scream and spasmodic drum machine, Brutalism jumps into your face with the spitting angst of ‘Heel / Heal‘, quickly followed by the singles, ‘Well Done‘ and ‘Mother‘.  Three tracks in and I’m already thinking ‘Brutalism’ is going to one of my favourite albums of the year.

Idles have found their own path.  Their output has changed from whence they began.  It would be too simplistic to say they now fall somewhere between Sleaford Mods and original punk bands like The Lurkers, but that wouldn’t be too far from the truth; even though they sound much better than either of those bands. The musicanship is tight.  Like IDLES locked themselves away and practised until they bled in sync and reappeared last year to unleash their Frankenstein monster of a sound upon a deserving audience.

While the music is hard, fast and living somewhere in the darkness on the edge of town, lead singer Joe Talbot delivers his words with a snarling menace, spitting angst and equal measures of wit and political commentary. Shouty rap comparisons with Sleaford Mods are unavoidable, but that’s not to take anything away from Talbot and his sincerity.

The best way to scare a Tory is to read and get rich.

I know nothing, I’m just sitting here looking at pretty colours.

Mother. Fucker. Mother. Fucker.

 

Steeped in great music history, Idles hail from Bristol – home to Massive Attack, Tricky and trip hop; and equally as important The Pop Group, Adrian Sherwood and the On-U Sound label. Now Idles have taken up the baton as they offer something special from one of the most exciting cities in the UK.

Did you see that painting that Rothko did.

Looks like it was done by a two year old kid.

Did you see that selfie that Francis Bacon did.

Don’t look anything like him, what a fucking div!

If the music doesn’t give clarity, the videos show IDLES are having a great time and not taking themselves too seriously.

‘Brutalism’ is a wonderful album. IDLES are destined for bigger things.